Ladies in Lavender (2004)

UK Film Council/Baker Street, 2004. Directed by Charles Dance. Starring Judi Dench, Maggie Smith, Daniel Brühl, and Natascha McElhone.

Ladies in Lavender may well be the archetype of the movie that lays a quite interesting foundation but that fails to build on those initial premises. Even though it's compelling and very beautifully put together, its screenplay ends up coming across as a good chance that's been wasted away. In the end, it looks as though British filmmaker Charles Dance hadn't dared to follow the road less traveled, and we can't help but feel that, if trodden, that road might have led him closer to a more satisfying work of art.

Set on a remote English coastal town a few months before the outset of World War II, the film tells the story of two sisters, Ursula (Judi Dench) and Janet (Maggie Smith), whose uneventful life is dramatically altered by the unexpected appearance of the young Andrea (Daniel Brühl), whom they find lying unconscious on the beach. The plot is built around a study of the relationship between the youth and the two elderly ladies, but in our opinion, this study is sometimes lacking in depth. For instance, the presence of Andrea awakens Ursula's yearning for a life that she never had the chance to live, and she plunges into nostalgic memories of a past that never existed. As she grows old, Ursula's innermost longings and desires come to the surface as she looks back on her life and is overwhelmed by the wonder of the many things that could have been but never were. Yet the treatment of this aspect of the plot comes across as rather shallow, and we certainly wish that it'd been pushed a little further. The same could be said of the influence that Andrea exerts on the small community that inhabits the tiny village: even though at first it looks as though the film is going to delve deeper into this issue, it's eventually overlooked in favor of Andrea's passion for music.

Nonetheless, in spite of these drawbacks, the movie is quite entertaining, and its scenes are drenched with emotion and occasional humor. Judi Dench and Maggie Smith prove yet again that they're magnificent performers, and Daniel Brühl and Natascha McElhone add to the consistently high interpretive quality of the film. Overall, then, we do recommend the watching of Ladies in Lavender, a film that is further embellished by its picturesque setting and its beautiful, dramatic music. Yet we wish that Dance had been a wee bit more daring in his approach to the telling of the story—it surely would have gone a long way...

Anton&Erin.